Belgian duo Club Moral equally mastered the old and new in their brutal take on what could literally be described as musique concrete. They also were one of only a quartet of acts to feature a woman, and noise’s domination by straight, white, men is something that both intrigues and confuses me, and not just because I was almost certainly the only gay person in the audience for the duration of the festival. But that’s a consideration for another day, so back to Club Moral! From a live stand-point, they were extraordinary: Danny Devos jumped into the audience, rolled around on the floor and dunked his head into a contact-miked bucket of water whilst Anne-Mie Van Kerckhoven chucked out 80s-style electro bleeps and zaps and churned out moody, static noise. Once again throwing back to the golden era of Throbbing Gristle, this performance owed as much to performance art as it did to noise or Power Electronics.